Visits: Shanghai Bangkok Chiang Rai Golden Triangle Chiang Mai Bangkok
* Airport meet & greet transfers included when the whole tour package is purchased from Sinorama.
* Please note that lunch or dinner will be served on board if your domestic flights coincide with meal times.
* For cruise package, in the event of water level problems on stretches of river, repair or maintenance work carried out by the river and other local authorities on the river or canal banks, stretches of river or canal, bridges, locks or docks, SINORAMA reserves the right to change the published itinerary or to operate part of the itinerary by motorcoach without notice.
* SINORAMA reserves the right to change the order of visiting the attractions, air carriers & change of the hotel (Similar Categories) without notice.
* Highlight features are subject to change according to final itinerary.
* Please click on the price to book.
* Regular Price: 30% of the total price deposit required at booking.
* Sale Price: Full payment required at booking.
|Departure Date||Year||Departure Cities||Price (2 occp.)
|Oct. 10||2018||Toronto/ Montreal/ Vancouver
International flight included.
|$ 799||BOOK NOW
Price valid until May 29 2018
* International flights;
* Transportation in China and Thailand (flight, coach);
* 4-5 stars hotel accommodation (based on double occupancy);
* Meals mentioned in the itinerary and featuring regional specialties;
* Service charge for all guides, bus drivers and hotel porter fees;
* English speaking guide;
* Taxes and fuel surcharges;
* FICAV ($1 per $1000).
Price does not include
* Optional tour in Shanghai: dinner + an exciting Acrobatics Show, CAD50 p.p.(any payment made after departure, the price will be RMB390 p.p.) ;
* Optional tour in Bangkok: Siam Niramit Show & Dinner (18:00-21:30 dinner buffet + Show), CAD80 p.p.(any payment made after departure, the price will be CAD100 p.p.) ;
* Postal fees;
* Travel insurance.
Arts and crafts
Shanghai: Embroidery & Cashmere & Silk
Chiang Mai: Thai Lacquerware & Gems
* The following activities are optional, surcharge applies.
Acrobatics is an interactive art form. Everyone, young or old, educated or not, can easily appreciate it while watching or seeing the acrobats perform. There is no language barrier and borders of culture do not limit it.
Chinese Acrobatics is one of the oldest performing arts. Its history can be traced back to Neolithic times. It is believed that acrobatics grew out of labor and self-defense skills, which people practiced and demonstrated during their leisure time. The early performance is "walking on three-meter-high stilts while juggling seven gaggers". Then it developed into an entire art form.
Together with the developing economy, acrobatics is also evolving into a kind of performing art. It became well known worldwide while performances are presented along the Silk Road. In Europe and North America, Chinese acrobatic performances always attract large audiences.
The acrobatic performers were trained strictly the basic skills starting from the early age of six or seven years old. Because the required techniques are extremely difficult and risky, the training is long, hard and intense. Examples of basic skills are handsprings, somersaults, waist and leg flexibility, and headstands. The performers must endure great deal of unexpected pains in order to become excellent.
Dazzling Spectacle on the Word's Highest Stage Held in the colossal 2,000-seat Ratchada Theatre, the Siam Niramit show boasts an 11.95 metre proscenium - certified by Guinness World of Records as the world's highest stage. Occupying more than half of the entire theatre space, the panoramic Ratchada Theatre stage is built to accommodate the show's monumental set pieces and a legion of performers (including real elephants and goats) to recreate a realistic ambience of Siam hundreds of years ago.
The show is suitably structured into three acts: Journey Back into History, Journey Beyond Imagination: The Three Realms and Journey Through Joyous Festivals. Reliving the Glorious Past The lights suddenly dimmed and permeating through the darkened stage is the heart-thumping beat of 'klong sabatchai' (victory drum), followed by the graceful golden fingernail dance and sword dance. The entire stage is re-lit and awoken back to life with a scene of the Ancient Kingdom of Lanna, showing a slow-paced, yet elegant royal procession led by the King and Queen of Lanna, the earliest of Siamese reigns.
A stark contrast to the north, the audience is transported down to the more animated south with the next scene: The South Sea... Traders from Overseas. Opening with 'nang talung' (shadow puppets) and the lively and colourful 'nora dance', this scene is the re-enactment of the Kingdom Sriwichai's bustling market full of foreign traders, and with a whimsical subtext of interracial crush - a representation of the harmonious existence of different faiths and races. The next two scenes, The Northeast... Heritage of the Khmer Civilization and Central Plains... Ayutthaya: The Mighty Capital, are superbly portrayed with state-of-the-art special effects like an on-stage 'klong' (river), realistic rainfall, thunder and lighting. The audience also gets to witness local activities and festivities like 'ram lao krathop mai (bamboo dance), the singing of rice harvesting folk songs and Thai boxing matches during these scenes.
Chinese embroidery has a long history since the Neolithic age. Because of the quality of silk fibre, most Chinese fine embroideries are made in silk. Some ancient vestiges of silk production have been found in various Neolithic sites dating back 5,000-6,000 years in China. Currently the earliest real sample of silk embroidery discovered in China is from a tomb in Mashan in Hubei province identified with the Zhanguo period (5th-3rd centuries BC). After the opening of Silk Route in the Han Dynasty, the silk production and trade flourished. In the 14th century, the Chinese silk embroidery production reached its high peak. Several major silk embroidery styles had been developed, like Song Jin (宋锦 Song embroidery) in Suzhou, Yun Jin (云锦 Cloud embroidery) in Nanjing and Shu Jin (蜀锦 Shu embroidery) in Sichuan. Today most handwork has been replaced by machinery, but some very sophisticated production is still hand-made. Modern Chinese silk embroidery still prevails in southern China.
Cashmere wool, usually simply known as cashmere, is a fiber obtained from cashmere goats and other types of goat. Common usage defines the fiber as wool but it is finer and softer than sheep's wool. Some say it is hair, but as seen below, cashmere requires the removal of hair from the wool. The word cashmere is an old spelling of the Kashmir region in northernmost geographical region of Pakistan. Cashmere is finer, stronger, lighter, softer, and approximately three times more insulating than sheep wool.
These silks (textile fibers from animal origins) are produced by many insects such as spiders, caterpillars and some different butterflies like the Ermine moths and Bobyx. Those that are made to produce silk come from cocoons produced by larva (silk worm) of Mulberry (Bobyx Mori). The technique for producing silk date back from 2500 BC and comes from china by the Silk Road. It was a secret until 560 BC. The art of making silk was then progressively transmitted to other civilization caused by different kinds of spy (Monks, princesses), to plunderers and merchants. In Europe, for a long time, silk has been a monopoly of the eastern Roman Empire. After its arrival in Western Europe in the late Middle ages, the production reached the stage of industrialization from the 19e century, however, later on, it experienced a severe decline linked to competition from modern fibers (including Nylon), evolution of dress customs in Europe, the rise of a few countries in Asia and an epidemic that affected France that that time. Therefore, it finally came back to being the essential production in Asia once again.
It is believed that the technique of making lacquerware was brought to Thailand by the tribe "Thai Kern'. The 'Thai Kern' originally lived in Chiang Tung in the southern part of China and later migrated to northern Thailand Chiang Mai. They made and used lacquerware as household Utensils and the Thai natives learnt how to produce lacquerware from them. This is the reason why we use the term "Krcung Kern' for Thai lacquerware. Lacquerware became popular throughout this region. It declined in popularity after ceramics. Aluminium wares and plastic wares were introduced. The techniques of producing lacquerware was passed from generation to generation. There was no record of the extraction process and the technique was gradually changed due to the limited raw materials, the influences of new technologies and commercialization. The technique of producing lacquerware is still practised in Chiang Mai, but now it has lost its own traditional character. The objective of the present work is to investigate the manufacturing techniques of ancient Thai lacquerware by interviewing craftsmen in the lacquerware manufactories in Chiang Mai and the examination of a number of chosen pieces of ancient lacquerware found in the province Chiang Mai by scientific methods using X-ray radiography and microscopic analysis.
A gemstone (also called a gem, fine gem, jewel, precious stone or semi-precious stone) is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments.However, certain rocks (such as lapis lazuli) or organic materials that are not minerals (such as amber, jet, and pearl) are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity is another characteristic that lends value to a gemstone. Apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem maker is called a lapidary or gemcutter; a diamond worker is a diamantaire.