Visits: Beijing Guilin Yangshuo Bangkok Chiang Rai Golden Triangle Chiang Mai Bangkok
* Airport meet & greet transfers included when the whole tour package is purchased from Sinorama.
* Please note that lunch or dinner will be served on board if your domestic flights coincide with meal times.
* For cruise package, in the event of water level problems on stretches of river, repair or maintenance work carried out by the river and other local authorities on the river or canal banks, stretches of river or canal, bridges, locks or docks, SINORAMA reserves the right to change the published itinerary or to operate part of the itinerary by motorcoach without notice.
* SINORAMA reserves the right to change the order of visiting the attractions, air carriers & change of the hotel (Similar Categories) without notice.
* Highlight features are subject to change according to final itinerary.
* Please click on the price to book.
* Regular Price: 30% of the total price deposit required at booking.
* Sale Price: Full payment required at booking.
|Departure Date||Year||Departure Cities||Regular price
|Oct. 18||2018||Toronto/ Montreal/ Vancouver
International flight included.
|Oct. 25||2018||Toronto/ Montreal/ Vancouver
International flight included.
Price valid until May 29 2018
* International flights;
* Transportation in China and Thailand (flight, coach);
* 4-5 stars hotel accommodation (based on double occupancy);
* Meals mentioned in the itinerary and featuring regional specialties;
* Service charge for all guides, bus drivers and hotel porter fees;
* English speaking guide;
* Taxes and fuel surcharges;
* FICAV ($1 per $1000).
Price does not include
* Chinese Visa Application fee (Canadian passport holder): CAD180 p.p. (fees are subject to change according to Chinese Embassy’s discretion);
* Optional activity in Yangshuo: Show "Impression of Liu San Jie", CAD70 p.p.(any payment made after departure, the price will be RMB490 p.p.) ;
* Optional tour in Bangkok: Siam Niramit Show & Dinner (18:00-21:30 dinner buffet + Show), CAD80 p.p.(any payment made after departure, the price will be CAD100 p.p.) ;
* Postal fees;
* Travel insurance.
Arts and crafts
Guilin: Green Tea & Seawater pearl
Chiang Mai: Thai Lacquerware & Gems
* The following activities are optional, surcharge applies.
This is a totally different performance from the conventional form.The theater is the nature itself.The sceneries of the four seasons are changing,the weather is changing,so does the performance is changing to match up with the changeable nature.In this stage,only the half of the performance is created by man,and the other half is belonged to the mysterious nature.
If it were raining during the performance,you can put on the raincoat that we prepare for you,if you came here in the hot summer, you have to take the anti-mosquito spray with you,if there were flood,half of the auditorium probably could be under the water, and if there were thunderstorm,the performance could be ceased.This is our performance—a performance interacting with the nature.
Dazzling Spectacle on the Word's Highest Stage Held in the colossal 2,000-seat Ratchada Theatre, the Siam Niramit show boasts an 11.95 metre proscenium - certified by Guinness World of Records as the world's highest stage. Occupying more than half of the entire theatre space, the panoramic Ratchada Theatre stage is built to accommodate the show's monumental set pieces and a legion of performers (including real elephants and goats) to recreate a realistic ambience of Siam hundreds of years ago.
The show is suitably structured into three acts: Journey Back into History, Journey Beyond Imagination: The Three Realms and Journey Through Joyous Festivals. Reliving the Glorious Past The lights suddenly dimmed and permeating through the darkened stage is the heart-thumping beat of 'klong sabatchai' (victory drum), followed by the graceful golden fingernail dance and sword dance. The entire stage is re-lit and awoken back to life with a scene of the Ancient Kingdom of Lanna, showing a slow-paced, yet elegant royal procession led by the King and Queen of Lanna, the earliest of Siamese reigns.
A stark contrast to the north, the audience is transported down to the more animated south with the next scene: The South Sea... Traders from Overseas. Opening with 'nang talung' (shadow puppets) and the lively and colourful 'nora dance', this scene is the re-enactment of the Kingdom Sriwichai's bustling market full of foreign traders, and with a whimsical subtext of interracial crush - a representation of the harmonious existence of different faiths and races. The next two scenes, The Northeast... Heritage of the Khmer Civilization and Central Plains... Ayutthaya: The Mighty Capital, are superbly portrayed with state-of-the-art special effects like an on-stage 'klong' (river), realistic rainfall, thunder and lighting. The audience also gets to witness local activities and festivities like 'ram lao krathop mai (bamboo dance), the singing of rice harvesting folk songs and Thai boxing matches during these scenes.
Chinese Jade refers to the jade mined or carved in China from the Neolithic onward. It is the primary hardstone of Chinese sculpture. Although deep and bright green jadeite is better known in Europe, for most of China's history, jade has come in a variety of colors and white "mutton-fat" nephrite was the most highly praised and prized. Native sources in Henan and along the Yangtze were exploited since prehistoric times and have largely been exhausted; most Chinese jade today is extracted from the northwestern province of Xinjiang. Jade was prized for its hardness, durability, musical qualities, and beauty. In particular, its subtle, translucent colors and protective qualities caused it to become associated with Chinese conceptions of the soul and immortality. The most prominent early use was the crafting of the Six Ritual Jades, found since the 3rd-millennium bc Liangzhu culture: the bi, the cong, the huang, the hu, the gui, and the zhang. Although these items are so ancient that their original meaning is uncertain, by the time of the composition of the Rites of Zhou, they were thought to represent the sky, the earth, and the four directions.
The green Tea (in simplified sinograms 绿茶, in traditional sonograms绿茶 and in pinyin lǜchá) is a tea slightly oxidized during its manufacture. This type of tea is extremely popular in China and Japan, where it deemed to have therapeutic properties more effectively. This tea is spreading increasingly in the West, in which they traditionally drink instead of black tea. It is also the base ingredient of mint tea. Steeping green tea too hot or too long will result in a bitter, astringent brew, regardless of the initial quality, because it will result in the release of an excessive amount of tannins. High-quality green teas can be and usually are steeped multiple times; two or three steepings is typical. The steeping technique also plays a very important role in avoiding the tea developing an overcooked taste. The container in which the tea is steeped or teapot should also be warmed beforehand so that the tea does not immediately cool down. It is common practice for tea leaf to be left in the cup or pot and for hot water to be added as the tea is drunk until the flavor degrades.
It is believed that the technique of making lacquerware was brought to Thailand by the tribe "Thai Kern'. The 'Thai Kern' originally lived in Chiang Tung in the southern part of China and later migrated to northern Thailand Chiang Mai. They made and used lacquerware as household Utensils and the Thai natives learnt how to produce lacquerware from them. This is the reason why we use the term "Krcung Kern' for Thai lacquerware. Lacquerware became popular throughout this region. It declined in popularity after ceramics. Aluminium wares and plastic wares were introduced. The techniques of producing lacquerware was passed from generation to generation. There was no record of the extraction process and the technique was gradually changed due to the limited raw materials, the influences of new technologies and commercialization. The technique of producing lacquerware is still practised in Chiang Mai, but now it has lost its own traditional character. The objective of the present work is to investigate the manufacturing techniques of ancient Thai lacquerware by interviewing craftsmen in the lacquerware manufactories in Chiang Mai and the examination of a number of chosen pieces of ancient lacquerware found in the province Chiang Mai by scientific methods using X-ray radiography and microscopic analysis.
A gemstone (also called a gem, fine gem, jewel, precious stone or semi-precious stone) is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments.However, certain rocks (such as lapis lazuli) or organic materials that are not minerals (such as amber, jet, and pearl) are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity is another characteristic that lends value to a gemstone. Apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem maker is called a lapidary or gemcutter; a diamond worker is a diamantaire.